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Interstellar is what I would consider one of the most ambitious films within modern cinema, as well as one of the most thoroughly affecting; an emotional onslaught, contrasted with some of the greatest visuals ever put to screen. Whilst it doesn't match the brilliance and spectacle of some of Christopher Nolan's finest films, including Batman Begins, The Prestige, The Dark Knight and Inception, Interstellar comes dreadfully close to perfection, due to its glorious performances, brilliant sound design, immensely well-executed pacing, an emotional core that resonates with viewers of all ages, and a score from Hans Zimmer that reflects the emotion and wonder on screen with acute grandeur.
The lead performance from Matthew McConaughey is something of wonder; a pitch-perfect performance from an exquisite actor. His chemistry with his co-stars is all fantastic, from Mackenzie Foy, who plays his daughter in the film, to Michael Caine, who plays the scientist and theorist Doctor Brand, to Anne Hathaway's powerful and resonant portrayal of a character often flawed, Brand. The movie encompasses both sentimental and scientific plots and ideas, metaphors and themes, and often executes them with a grace and harmony that is not so often found with modern sci-fi films; Interstellar proves that a film of immense scope can still suitably and aptly focus on the seemingly mundane relationship between father and daughter, but execute it with heart, soul and power, to both contrast as well as work together.
The film encompasses a number of jaw-dropping moments, including a lift off sequence which I could call one of the most compelling and brilliantly shot sequences of film I've ever had the grace of viewing. The brilliant and loud sound design echoes throughout the cinema, shaking the seats and the viewers, and it allows the audience member to fully engross themselves in the current, dangerous predicament; it's thrilling and all encompassing viewing for all. As the visual effects break ground, McConaughey and Nolan remind us all that the true story that one should be enthralled within is that of the story between father and daughter, and that father's fight to not only get back to his daughter, but to save the human race from near-imminent extinction.
The film also works to build themes around the idea of time; that time is not guaranteed, but a resource that is exhausted at a certain point. One must always be careful and moderate how they spend and use up their time, as it may run out far quicker than anyone could imagine. This is especially evident in scenes where Cooper and Brand are on planets in which a single hour spent examining and rummaging about on the surface translates to seven years of time gone by on Earth. Eventually, Cooper decides that it is best to conserve time, so that he may one day see his daughter again, but not all can go so swimmingly, or as well as he can hope.
Interstellar is amassed of a number of spectacular plot twists, turning and shifting into all manner of areas, encompassing ideas and ambitions in a single cinematic fare only dreamt about before. The Nolan brothers are unafraid to spread their wings and invest their resources into the most far reaching of concepts; and whilst perhaps it doesn't always succeed, as is the case in the neatly packaged and partially unsatisfying final ten minutes of the picture, they mostly manage to triumph in their intentions.
As is customary with Nolan pictures, many of the female characters have a few inexplicably poor one liners and exposition-like pieces of dialogue here and there, bringing us out of the film. Sometimes the story just plain doesn't make sense, and realism is sacrificed for ambition. But perhaps this is something to treasure; who cares if we don't have the most realistic of films, if what we get is something undeterred from going to wherever it sees fit and justified. Interstellar reminded me of why I go to the cinemas to firsthand witness films on the big screen; it gave me an experience which I cried in, was enthralled by, and ultimately, was stunned by all throughout. A brilliant cinematic achievement.
9.4/10
This was a brief summary of my thoughts. Check out my elongated review on.

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